Galway Kinnell

            The Dead Shall Be Raised Incorruptible


A piece of flesh gives off
smoke in the field–

caput mortuum,
gurry dumped from hospital trashcans.

This corpse will not stop burning!


"That you Captain? Sure,
sure I remember–I still hear you
lecturing at me on the intercom, Keep your guns up, Burnsie!
and then screaming, Stop shooting, for crissake, Burnsie,
those are friendlies!
But crissake, Captain,
I'd already started, burst
after burst, little black pajamas jumping
and falling . . . and remember that pilot
who'd bailed out over the North,
how I shredded him down to catgut on his strings?
one of his slant eyes, a piece
of his smile, sail past me
every night right after the sleeping pill . . .

"It was only
that I loved the sound
of them. I guess I just loved
the feel of them sparkin' off my hands . . ."


On the television screen:

Do you have a body that sweats?
Sweat that has odor?
False teeth clanging into your breakfast?
Case of the dread?
Headache so perpetual it may outlive you?
Armpits sprouting hair?
Piles so huge you don't need a chair to sit at a table?

We shall not all sleep, but we shall be changed . . .


In the Twentieth Century of my trespass on earth,
having exterminated one billion heathens,
heretics, Jews, Moslems, witches, mystical seekers,
black men, Asians, and Christian brothers,
every one of them for his own good,

a whole continent of red men for living in unnatural community
and at the same time having relations with the land,
one billion species of animals for being sub-human,
and ready to take on the bloodthirsty creatures from the other planets,
I, Christian man, groan out this testament of my last will.

I give my blood fifty parts polystyrene,
twenty-five parts benzene, twenty-five parts good old gasoline,
to the last bomber pilot aloft, that there shall be one acre
in the dull world where the kissing flower may bloom,
which kisses you so long your bones explode under its lips.

My tongue goes to the Secretary of the Dead
to tell the corpses, "I'm sorry, fellows,
the killing was just one of those things
difficult to pre-visualize–like a cow,
say, getting hit by lightning."

My stomach, which has digested
four hundred treaties giving the Indians
eternal right to their land, I give to the Indians,
I throw in my lungs which have spent four hundred years
sucking in good faith on peace pipes.

My soul I leave to the bee
that he may sting it and die, my brain
to the fly, his back the hysterical green color of slime,
that he may suck on it and die, my flesh to the advertising man,
the anti-prostitute, who loathes human flesh for money.

I assign my crooked backbone
to the dice maker, to chop up into dice,
for casting lots as to who shall see his own blood
on his shirt front and who his brother's,
for the race isn't to the swift but to the crooked.

To the last man surviving on earth
I give my eyelids worn out by fear, to wear
in his long nights of radiation and silence,
so that his eyes can't close, for regret
is like tears seeping through closed eyelids.

I give the emptiness my hand: the pinkie picks no more noses,
slag clings to the black stick of the ring finger,
a bit of flame jets from the tip of the fuck-you finger,
the first finger accuses the heart, which has vanished,
on the thumb stump wisps of smoke ask a ride into the emptiness.

In the Twentieth Century of my nightmare
on earth, I swear on my chromium testicles
to this testament
and last will
of my iron will, my fear of love, my itch for money, and my madness.


In the ditch
snakes crawl cool paths
over the rotted thigh, the toe bones
twitch in the smell of burnt rubber,
the belly
opens like a poison nightflower,
the tongue has evaporated,
the nostril
hairs sprinkle themselves with yellowish-white dust,
the five flames at the end
of each hand have gone out, a mosquito
sips a last meal from this plate of serenity.

And the fly,
the last nightmare, hatches himself.


I ran
my neck broken I ran
holding my head up with both hands I ran
thinking the flames
the flames may burn the oboe
but listen buddy boy they can't touch the notes!


A few bones
lie about in the smoke of bones.

effigies pressed into grass,
mummy windings,
sags incinerated mattresses gave back to the world,
memories left in mirrors on whorehouse ceilings,
angel's wings
flagged down into the snows of yesteryear,

on the scorched earth
in the shapes of men and animals:

do not let this last hour pass,
do not remove this last, poison cup from our lips.

And a wind holding
the cries of love-making from all our nights and days
moves among the stones, hunting
for two twined skeletons to blow its last cry across.

This corpse will not stop burning!

Galway Kinnell, A New Selected Poems, Mariner Books, 2001.