Eamon Grennan



                              Men Roofing


Bright burnished day, they are laying fresh roof down
on Chicago Hall. Tight cylinders of tarred felt-paper
lean against one another on the cracked black shingles
that shroud those undulant ridges. Two squat drums
of tar-mix catch the light; a fat canister of gas
gleams between a heap of old tyres and a paunchy
plastic sack, beer-bottle green. A TV dish-antenna
stands propped to one side, a harvest moon, cocked
to passing satellites and steadfast stars. Gutters
overflow with starlings, lit wings and whistling throats
going like crazy. A plume of blue smoke feathers up
out of a pitch-black cauldron, making the air fragrant
and medicinal, as my childhood's was, with tar. Overhead
against the gentian sky a sudden first flock whirls
of amber leaves and saffron, quick as breath, fine
as origami birds. Watching from a window opposite,
I see a man in a string vest glance up at the exalted
leaves, kneel to roll a roll of tar-felt flat; another
tilts a drum of tar-mix till a slow bolt of black silk
oozes, spreads. One points a silver hose and conjures
from its nozzle a fretted trembling orange lick
of fire. The fourth one dips to the wrist in the green sack
and scatters two brimming fistfuls of granite grit:
broadcast, the bright grain dazzles on black. They pause,
straighten, study one another--a segment done. I can see
the way the red-bearded one in the string vest grins and
slowly whets his two stained palms along his jeans; I see
the one who cast the grit walk to the roof-edge, look over,
then, with a little lilt of the head, spit contemplatively
down. What a sight between earth and air they are, drenched
in sweat and sunlight, relaxed masters for a moment
of all our elements! Here is my image, given, of the world
at peace: men roofing, taking pains to keep the weather
out, simmering in ripe Indian-summer light, winter
on their deadline minds. Briefly they stand balanced
between our common ground and nobody's sky, then move
again to their appointed tasks and stations, as if they
were amazing strangers come to visit for a short spell our
familiar shifty climate of blown leaves, birdspin. Odorous,
their column of lazuli smoke loops up from the dark
heart of their mystery; and they ply, they intercede.


Eamon Grennan, What Light There Is, Gallery Press, 1989.