I come home from you through the early light of spring


I come home from you through the early light of spring
flashing off ordinary walls, the Pez Dorado,
the Discount Wares, the shoe-store . . . . I'm lugging my sack
of groceries, I dash for the elevator
where a man, taut, elderly, carefully composed
lets the door almost close on me.–For god's sake hold it!
I croak at him.–Hysterical,–he breathes my way.
I let myself into the kitchen, unload my bundles,
make coffee, open the window, put on Nina Simone
singing Here comes the sun . . . . I open the mail,
drinking delicious coffee, delicious music,
my body still both light and heavy with you. The mail
lets fall a Xerox of something written by a man
aged 27, a hostage, tortured in prison:
My genitals have been the object of such a sadistic display
they keep me constantly awake with pain . . .
Do whatever you can to survive.
You know, I think that men love wars . . .
And my incurable anger, my unmendable wounds
break open further with tears, I am crying helplessly,
and they still control the world, and you are not in my arms.


                                --fromTwenty-One Love Poems, IV


Adrienne Rich, The Fact of a Doorframe: Poems 1950-2001, W.W. Norton, 2002.