Who was responsible for the very first arms deal--
The man of iron who thought of marketing the sword?
Or did he intend us to use it against wild animals
Rather than ourselves? Even if he's not guilty
Murder got into the bloodstream as gene or virus
So that now we give birth to wars, short cuts to death.
Blame the affluent society: no killings when
The cup on the dinner table was made of beechwood,
And no barricades or ghettos when the shepherd
Snoozed among sheep that weren't even thoroughbreds.
I would like to have been alive in the good old days
Before the horrors of modern warfare and warcries
Stepping up my pulse rate. Alas, as things turn out
I've been press-ganged into service, and for all I know
Someone's polishing a spear with my number on it.
God of my Fathers, look after me like a child!
And don't be embarrassed by this handmade statue
Carved out of bog oak by my great-great-grandfather
Before the mass-production of religious art
When a wooden god stood simply in a narrow shrine.
A man could worship there with bunches of early grapes,
A wreath of whiskery wheat-ears, and then say Thank you
With a wholemeal loaf delivered by him in person,
His daughter carrying the unbroken honeycomb.
If the good Lord keeps me out of the firing line
I'll pick a porker from the steamy sty and dress
In my Sunday best, a country cousin's sacrifice.
Someone else can slaughter enemy commanders
And, over a drink, rehearse with me his memoirs,
Mapping the camp in wine upon the table top.
It's crazy to beg black death to join the ranks
Who dogs our footsteps anyhow with silent feet--
No cornfields in Hell, nor cultivated vineyards,
Only yapping Cerberus and the unattractive
Oarsman of the Styx: there an anaemic crew
Sleepwalks with smoky hair and empty eye-sockets.
How much nicer to have a family and let
Lazy old age catch up on you in your retirement,
You keeping track of the sheep, your son of the lambs,
While the woman of the house puts on the kettle.
I want to live until the white hairs shine above
A pensioner's memories of better days. Meanwhile
I would like peace to be my partner on the farm,
Peace personified: oxen under the curved yoke;
Compost for the vines, grape-juice turning into wine,
Vintage years handed down from father to son;
Hoe and ploughshare gleaming, while in some dark corner
Rust keeps the soldier's grisly weapons in their place;
The labourer steering his wife and children home
In a hay cart from the fields, a trifle snozzled.
Then, if there are skirmishes, guerilla tactics,
It's only lovers quarrelling, the bedroom door
Wrenched off its hinges, a woman in hysterics,
Hair torn out, cheeks swollen with bruises and tears--
Until the bully-boy starts snivelling as well
In a pang of conscience for his battered wife:
Then sexual neurosis works them up again
And the row escalates into a war of words.
He's hard as nails, made of sticks and stones, the chap
Who beats his girlfriend up. A crime against nature.
Enough, surely, to rip from her skin the flimsiest
Of negligees, ruffle that elaborate hair-do,
Enough to be the involuntary cause of tears--
Though upsetting a sensitive girl when you sulk
Is a peculiar satisfaction. But punch-ups,
Physical violence, are out: you might as well
Pack your kit-bag, goose-step a thousand miles away
From the female sex. As for me, I want a woman
To come and fondle my ears of wheat and let apples
Overflow between her breasts. I shall call her Peace.
Michael Longley, Collected Poems, Wake Forest University Press,